THE PERSON
who will tell you
what to do with
YOUR HANDS.
SRSLY, why do they feel so weird in photos?
I’m all about the life and the love and the little things that happen when those two things are in the room.
Back in the day I was a music industry photographer. My route into weddings was when my agent at the time married. As she put on the frock and sprayed the perfume, did up her earrings, and popped on a little tiara, that was me, with harps playing and golden light raining down on me* – my big epiphany.
I WOULD BECOME A WEDDING PHOTOGRAPHER!!!
* I might be remembering this part wrong
Hey I’m Lisa Devlin, your girl behind the lens.
You could say that my style is edgy, editorial, and emotional.
Read on for the non-TLDR version…
Picture: Katie Rogers
THE STORY OF ME.
01.
ORIGIN STORY ALERT
Born and raised in Northern Ireland – although after spending most of my adult life in sunny Brighton (this is where I’m based still), I’ve pretty much lost the accent.
I’d always had cameras and I’d always taken photos, but the tech side never really grabbed me. I went down the art college route. But I had a strong gut instinct that I’d need to make real-world contacts and went looking for work experience. I started with my teenage obsession – The Face magazine (still obsessed).
That decision landed me in a studio in East London, assisting stylist Camilla Nickerson on a shoot with a few of her friends. The model was a completely unknown schoolgirl called Kate… as in Moss. And the photographer? Her boyfriend at the time – Mario Sorrenti.
That day was my first real epiphany.
I had absolutely no idea what Camilla was doing. I was wildly out of my depth. But once I’d calmed the F down, I started watching Mario work. And here’s the thing – he wasn’t doing anything I didn’t understand. It suddenly clicked that maybe you didn’t need to be obsessed with the technical side of photography to be good at it.
(Spoiler: I’m still not.)
After a few more twists and turns, I found myself working as a music industry photographer for over a decade. Ten years of incredible experiences – travelling the world, shooting for record labels and magazines, and seeing behind the curtain of more than a few famous faces.
It was fast, chaotic, creative – and it taught me how to work instinctively, confidently, and under pressure. Skills I still rely on every single time I pick up a camera.
THE PLOT TWIST
Working in the music industry is where I developed my unshakeable ability to remain calm under pressure, a desire to uncover the real stories, and a fascination with how we all connect.
When my lovely agent got married, she asked me to be her wedding photographer. My next big ephiphany – I fell hard for this game. I love the layers to weddings, I love finding out the stories and the connections that bring people into the room, I love the extraordinary elements to these days.
So what’s an ‘editorial wedding photographer’?
It’s someone taking influence from magazines and fashion photography and bringing that to the table when they photograph weddings.
It conveys the mood, focuses on the aesthetic, and details the exchanges of emotions.
It feels hugely privileged to have some of the very highest industry accolades including Wedding Photographer Of The Year from The British Journal Of Photography and being named a Hasselblad Heroine.
“Before weddings, I photographed celebrities and music artists for 10 years. I was working with people who were celebrated every day. When I moved into weddings, I began photographing people who are celebrated for that one big day. I want my subjects to feel the sense of being special that celebrities experience on a daily basis. That’s what I would love for viewers to consider when they look at my work.”
MAIN CHARACTER ENERGY
After two decades in the industry, I sometimes think I’ve seen it all – then something mad happens and I’m like, no, not even close!
When not photographing weddings, I might be in a studio or on location doing a creative editorial or job for a magazine.
As if all of this didn’t keep me busy enough, I also have a company called Photography Farm. This is all about educating, supporting, and nurturing other wedding photographers.
Invitations have come my way to speak about photography at conferences in New York, London, Warsaw, and Vienna (crazy, right?)
If you’ve made it this far, then thank you for taking the time to get to know me a little.
WHEN I’M NOT BEHIND THE CAMERA.
YOU’LL FIND ME…
Brighton is my hometown now. When not working, you might find me standing at the back of a gig, walking our tiny dog Beanie – she looks like a fox – or drinking proper tea made in a teapot.
I love the smell of a new magazine, seeing a symmetric time like 11:11 (make a wish!), and hearing the traffic news when I have no place that I need to be.
MY TOXIC TRAITS – almost always, I prefer a cover version to the original. Plus I will merrily binge a new series but put off watching the finale for as long as I possibly can.
Beverly Goldberg is my Spirit Animal.


